The Need For a New Cultural Identity For China – Contemporary Art and Architecture

Topic 

The Need For a New Cultural Identity For China – Contemporary Art and Architecture

Instructions 

The need for a new cultural identity for China – contemporary art and architecture that is poetically reminiscent of the rich heritage and legacy associated with Chinese art, literature, crafts and architecture. Looking at the creative praxis of Neri and Hu, Wang Shu and Ai Wei Wei.
1.1 Definition of new cultural identity of China                                  
1.2 The evolution of contemporary art and architecture in China                                       
1.3 Future forcast of contemporary art and architecture in China

Answer Preview 

The evolution of contemporary art and architecture started to manifest in the early 1920s when the western influence provided a new identity to Chinese artists and architects. A great deal of cultural evolution and the ensuing impact on the sense of identity are attributable to the economic reforms and globalization (Jensen et al., 2011).  In 1924, the spread of Western culture in medicine and architecture culminated in the establishment of small private climate clinics. Hospitals began to gain recognition in China, particularly to take care of military personnel and royal families (Chan, Liu & Tsai, 2011).

Figure 2: A photo showing a small clinic to represent the newly established healthcare system in 1924. Source: (Chan, Liu and Tsai, 2011, p. 793)

1933 

Evidence of the western architectural aspect started in 1933, with the construction of the government buildings. In the architectural sphere, a group of American-trained Chinese architects returned to China with the aim of rejuvenating Chinese architecture with modernity (Lee and DiStefano, 2016). This required imitation of western art and architecture to promote Chinese identity and nationalism. An example of the earlier contemporary architecture is the Shanghai Municipal Government office block.

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